The first non-CDr, non-tape release for OPPONENTS. Electric "songs" to topple all extant regimes. Grimy electronics rendered on vintage synths, environments reminiscent of Schnitzler, vintage Cabaret Voltaire, and The Golden Hour of the Future. Snatches of baroque melody and fuzzy, left-hand figures tumble in and out of scene, while Aaron's vocals texturize and provoke, and percussive washes reflect the smeared Brooklyn shop windows. A proud day for Prison Tatt to bring you this full length release, the sonic equivalent of a great, abstract novel. Unlike any other OPPONENTS release, unlike any other release by anyone.